Venue Space: Garden Room Gallery
Event hosted by art.earth
When: September 11 to October 17
About this event
An exploration of the mesh of plant, animal, mineral and human networks across time, place and material states. It is inspired by concepts around the ‘vibrancy of matter’.
‘KINdoms: Textiling with the more-than-human’ is inspired by concepts around the ‘vibrancy of matter’ and draws on New Materialist, eco-feminist and eco-phenomenologist theories.
These approaches seek to dispense with hierarchies between humans, ecosystems and all creatures great and small. Indeed, creaturesare but one category and sometimes the smallis infinitely unknowable to the human eye but perceptible to other senses. When we are attentive we may encounter the vibrant matter around us, and we can respond.
Just as there are no fixed boundaries between ecosystems, so there are no limits to the ‘porous nature of things’ (Jane Bennett). Matter converges and dissipates and humans are one of many active agents in this process. As the unchecked effects of the dominant post-industrial complex mark the epoch of the Anthropocene there is an emerging sense of urgency, a call to activism as the human species is exposed, found to be completely interdependent with other species.
Textiles embody this material and, sometimes, uncannily immaterial convergence of diverse elements. The more-than-human network embedded within cloth is legible but sometimes its actual materiality is only a trace, a stitch, a faded colour, the spectre of a sentient being, a mapping of cosmic and weather patterns. We are enmeshed in textile material cultures: on and withinour bodies, where we dwell, as we move through the world.
The themes that have surfaced in KINdoms acknowledge the complexity of relations between human geographies and more-than-human ecosystems both real and imagined. There are places and practices invoking emotional attachment, hauntings, resistance, imagination, mourning and solace. There is a strong current of time folding upon itself as the past, present and future coexist as parallel layers within a material object.
The working, mending, movement and dance conveyed through techniques including stitch, weave, dye, decomposition, recycling, and film embody processes that aren’t always immediately evident. While we may be cognisant of the cultural, political, economic and gendered relations evidenced in material objects we might reconsider our own relations beyond human networks, expanding and merging in ‘the flesh of the world’ (Merleau-Ponty).
Colour Works: exhibition of paintings by Anna Donaldson
Colour Works is a selection of paintings on paper on themes ranging fr...
Exhibition of Sculpture by Stuart Voaden
Stuart Voaden is the successful applicant of November’s Splash! Arts...
More to Enjoy
Dartington is an old place with a new story.
The Dartington Experiment began in 1925 and was based on the idea that that humans are many-sided – and how we need environments that encourage our whole being to flourish, in connection with nature and each other.
This idea as true today is it ever was.Find out more about what we do