Following on from our initial conversation about the project, I caught up with Martin to find out how things are progressing.
“I’ve been practising some stone rubbing – the practice of creating an image of the surface features of a stone on paper”, says Martin.
“There are a number of reasons why this practice is relevant to the project:
– It has been used by Chinese scholars to transfer calligraphy, ancient texts, from stones to paper.
– Gravestone rubbing has been used as a way of retrieving and conserving information about genealogy – a permanent record of death when a stone may be deteriorating
– It can be used to teach local history; the condition of the stone, the art and inscriptions can say things about what was going on in an area at a specific time
– In the modern era, frottage, the rubbing of uneven surfaces, became an established graphic arts practice which introduced texture and shape into art work for aesthetic purposes
“In addition to recording some of these factors, I also wanted my practice to give form and representation to the material into which the inscription is cut, to the stone which is quarried from the bedrock of the landscape.
“The weather has been good for outdoor fieldwork and this presented an auspicious opportunity to start the project with a stone drawing – and where better to begin than with the large ledger stone to the rear of the tower where the idea for the project originated?
“The stone is a large slab of blue grey shale and is inscribed with the name of three individuals; a man and his wife who both died in the 1590s and a third person, apparently unrelated, who died in 1681.
“It is not a headstone in the sense of the other stones in the churchyard but may have been a floor stone, taken from inside the old church before it was demolished in 1878.”
I’ll keep up to date with Martin’s progress and hopefully blog more on this topic in the New Year.
Sonja Hughes (previously volunteer manager at Dartington Hall